If I'm going to move to something else and invest in learning a new tool like this, I'll do so when the feature set and workflow shows promise enough to make it a pleasurable experience for me to do that. Not because it has that perfect feature set I seek, but only because I already know it and can get projects done ok. Can't find one that has the right combination for my money's worth, so I still use Adobe Audition which I can get things done with to my satisfaction. I really like what the 32C has to offer and believe I could find myself enjoying rolling up my sleeves and developing a relationship, but like other DAW's that do work with all functions on a laptop (virtually all), each has a significant Achilles Heal (deal breaker) with certain flexibility and features that several competitor's alternatively provide. I guess I'm trying to say I need a DAW whose features sit well with me, and for that DAW to provide all its features on a laptop. Mixbus has eight stereo mix buses Mixbus 32C has 12. It also consists of both high-pass and low-pass filters. I can accept losing vertical visualization of the channel but not the ability to open and collapse the various functions in that channel without the option to provide the chosen window's full display of controls. Mixbus has three-band EQ Mixbus 32C is designed after a different Harrison console that has four-band with the switchable top band between shelving and peaking. At least the ability to easily select a channel strip's specific area and open and collapse those segments in order to have all options available when the chosen segment is open. I realize the idea of keeping the large desk format open is of great appeal, but to dismiss the ability to use it on anything but a very large monitor is sadly short-sighted as it dismisses a large segment of potential users without such monitors IMO. Harrison MB is a complete DAW that would replace Pro Tools / Logic / Reaper etc and has it's own 'VCC' built in to every. In this case, visual accessibility is an accommodation nearly every DAW provides. A DAW with a twist, MixBus 4 recreates the sonic personality of the Harrison hardware consoles. the VCC is a plugin which is inserted onto each channel in Pro Tools / Logic / Reaper etc and then one onto the main bus, and together they will emulate the performance characteristics of an SSL, Neve, API or Trident. The reason it's silly is the irony in that when I find the missing function in nearly all the other DAW competitors, those DAW's will be missing the one or two deal breakers that the one I had to previously dismiss does! The shame is that when I find a DAW I like, there's often a silly reason it will not work out for my needs/desires. I'm looking at the 32C as an option for my recording and mixing duties. Also available are foldback buses to create headphone mixes for the performers, sync to varispeed external timecode sources. This topic is important to me and it appears the only solution to allowing the functions of the 32C to be seen in all circumstances is by only using a large format monitor. Version 6 comes with the devrelopers’ latest audio engine improvements latency compensated buses alongside tracks, cue monitoring for midi and audio tracks, and unlimited Aux buses assignable to each track. Hi, I'm new here and seeking a little more info.
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